I recently went to a demo by Soraya French and she said the too careful a drawing was very limiting to freedom. She suggested that if you spent ages on a complex drawing, when you came to paint it, you became too afraid to spoil all your efforts, that the process of painting became less spontaneous and hence less free.
I took up this idea and over the last few weeks at AVA I have tried to paint images with no drawing at all. It started with the Bluebell Wood in the previous post and over the next three weeks produced 3 more images with no drawing other than a couple of circles to place the flower heads in the right place. In the poppy painting, I did not even do this.
So all the paintings were straight in with a brush loaded with pigment, to see what I could do.
They are not totally successful, my visual memory is poor and there is very little room for error, but it was liberating, and I will certainly do more.
This will be my last post for about 3-4 weeks as I now have two weeks of hard work getting over 90 paintings ready for my annual exhibition in Wells Cathedral and 2 weeks of being there to man it. I cannot be distracted by painting etc, so it will be quiet until the beginning of September.
Hope you like looking at the images.