Daniel Smith Paints

Time to start a new painting, and I had a determination to see exactly what I could do with the new range of paints that I have recently acquired. That makes it sound as if I have bought the whole range all in one go, but that is far from the truth. Daniel Smith Watercolours are, in my experience, beautifully textured paints with lots of exciting colours, but they come with a heafty price tag. I already have a goodly stock of artist quality paints bought over time, 'just in case I cannot afford to replace in the future' which I must use up before they begin to deteriorate, but I cannot help but be tempted by the Daniel Smith range, so I have been buying one or two slowly over a few months every time Peter does us a mass order at Art Group (avoids postage costs). As others need replacing I will certainly acquire more!
At the moment I have seven or eight tubes with names such as 'Moonglow' and 'Rose of Ultramarine' and so I set about painting  something predominantly with these paints and only using the likes of Winsor and Newton or Graham and Co if I didn't have what I needed in Daniel Smith. It was lovely to mix the creamy paints on the palette, and also use them straight from the tube. The colours are really vibrant so they give the whole range from pale to really dark depending on the amount of water that is added. I have a green called 'Green Apatite Genuine' which I find a really natural green, and when mixed with Indigo, Paynes Grey or Burnt Sienna works well for my dark areas of background.

The full list of  of colours that I have at the moment comprises: Hookers Green, Pyrol Red, Green Apatite, Opera Pink, Quinachridone Magenta, Rose of Ultramarine, and Moonglow. I used the last five of these in the Iris painting below, together with a few others to produce a painting with which I am very pleased.

In order to concentrate on the effects of the paints, and to test them effectively, I am afraid that it was back to the comfort zone, and away with the freer experimental approach!

'Pink Iris'  35 x 50cm

Fabriano Extra White Rough 300gms

Maybe the shadows should be a bit darker, but I hadn't the courage to mix the colour any deeper, I was afraid of over doing it. I find this the hardest part of the painting, and as it has to be the last thing I do I am always afraid that all the preceding hard work will be for nothing if I mess it up, so I lack the courage to be really bold. Thank you for looking, hope you enjoy it.